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MELODIC IMPROVISATION · 10 MIN SUGGESTED

Jazz Guitar Improvisation: Motif Development

A clear question, some space, and a related answer make a phrase feel intentional.

Motif repetition and variation · By Vincent Iannone · Updated

What is a motif in jazz improvisation?

A motif is a short, recognisable musical idea that a soloist repeats and varies to build a phrase. Repetition gives the listener something to follow, and variation keeps it moving. In this lesson the original cell C–E–G–E uses the root, third and fifth of C major. The variation keeps the first three notes and changes the ending from E (the third) to D (the ninth, a whole step above C), which adds colour over Cmaj7 without changing the harmony. Common ways to develop a motif include changing one note, the rhythm, the register or the ending. Playing an idea, leaving space, then answering it with a related version makes a solo sound like a conversation rather than a list of notes.

The idea

A motif is a small idea you can remember and vary. Our original cell C-E-G-E uses chord tones of C major. C, E and G are the root, third and fifth. Keep those opening notes and move the ending from E (the third) to D (the ninth, one whole step above C). The new ending adds tension over Cmaj7 without changing the harmony.

Put it under your fingers

  1. Play C4-E4-G4-E4 as a short melodic cell. Sing it without the guitar.
  2. Repeat C4-E4-G4-D4. Listen to the open-ended ending on D.
  3. Play the first cell, leave some space, then answer it with the variation.

A motif and one small variation

Our original cell C4-E4-G4-E4 returns as C4-E4-G4-D4. Keep the opening three notes and hear the final E (the third of C) change to D (the ninth). The new ending adds a non-triad color tone over the same harmony.

Sounding notes: C4 → E4 → G4 → E4 → C4 → E4 → G4 → D4.

A motif and one small variation: the sounding notes in orderC4, up 4 semitones to E4, up 3 semitones to G4, down 3 semitones to E4, down 4 semitones to C4, up 4 semitones to E4, up 3 semitones to G4, down 5 semitones to D4.C41C42E43G44E45C46E47G48D4
Higher dots sound higher. Lines join the notes in the order they are played; numbers match the table.
#Sounding noteMove from the previous note
1C4Starting note
2E4Up 4 semitones
3G4Up 3 semitones
4E4Down 3 semitones
5C4Down 4 semitones
6E4Up 4 semitones
7G4Up 3 semitones
8D4Down 5 semitones

Make it yours

Play a short solo using only one motif and two variations. Leave space between your ideas.

Keep the ideas connected.